When you’re not chosen, it can shake your sense of purpose or belonging. It’s gonna hurt, but take a lesson from the worst snare drummer I’ve ever seen.
Getting cut – it’s a feeling that stings even for those with thick skin. Trying out for a sports team, applying for school, interviewing for a job, taking an audition – these all have a lot in common. The process requires you to put yourself out there, make yourself vulnerable, and expose yourself to judgement, all in hopes of winning a spot. We’ve all been there, myself many times, and it can be stressful, right?
But being on the other side of the arena can also be tough. It wasn’t until I had to cut someone for the first time did I realize how much goes into deciding who makes the team, gets admitted, or wins the job. You quantify what you can to stay objective and minimize some of the struggle, but at some point the process requires you to use your instinct and gut reaction. Meanwhile, you can’t help but feel empathy for the other person’s inner turmoil – sweaty palms, eagerness to present themselves well, forced smile to seem comfortable, but not too comfortable because they’re trying to figure out how to demonstrate they’re “a team player.” Ugh, terrible. You’re a considerate person, and considerate people don’t want others to feel bad.
But hey, guess what – everyone gets cut at some point. If you’re not getting cut or failing somewhere along the way, this means you’re not reaching high enough. In fact, getting cut is something to celebrate – it’s a sign that you’ve moved outside your comfort zone, which is necessary for growth and development. Failing is just one of the many steps along the way to your next success.
So what do you do when you get cut? Was it all for nothing? Author William Feather wrote, “Success seems to be largely hanging on after others have let go.” That may be the case, but what you do while you’re “hanging on” also plays a large part in your success the next time opportunity presents itself.
As a teacher, seeing what people do in the face of failure fascinates me. This is especially pertinent when working to teach students and employees to become independent learners.
This is the story of me cutting the worst snare drummer I’ve ever seen.
When I lived in Chicago, I spent my weekends teaching an indoor winter percussion group called Green Thunder Percussion. This group started in the smallest WGI competitive division, A Class, and over the years, grew into Open Class, and eventually World Class, now known as Cavaliers Indoor Percussion.
We started the group as an educational program sponsored by The Cavaliers Drum and Bugle Corps with the intention of developing local Chicagoland talent. Our mission was to add value to the percussion community by providing world-class level instruction and percussion pedagogy for students. This would ultimately help prepare them for auditions at the performance level of the main drum corps. Some students didn’t have percussion instructors at their schools, while others did and just wanted more teaching and learning time. Things we all had in common were a love for music, and hunger for getting better at drumming and percussion.
One initiative we used to help students prepare for audition weekend included “Chop Sessions” in the weeks preceding. Afternoon drum sessions were hosted as educational camps which allowed students to feel more comfortable around the instructors, get feedback on how to improve, as well help acclimate staff and members on how to best work together.
Now as teachers, we work with many different kinds of students. Some arrive ready to learn, others need to be motivated. Some are naturally talented, others have to rely on their diligence to make up for their lack thereof. At one particular chop session, I remember meeting a student who was immediately distinctive because of how attentive, focused, and polite he was – exactly the kind of student we were looking for. The only thing was, he was the worst snare drummer I’d ever seen.
For this blogpost, let’s call him Tom. Early high school. Posture – scared. Sticks – both slicing out. Hands – totally jacked. Feet – complete disaster and in a different time zone. The list went on. But at the same time, the kid was just so darn nice.
Now I’ve always been more than happy to work with any student, especially if they demonstrate the right attitude and desire to learn. There are students who come to you with no musical background, formal or informal experience. In fact, starting a total beginner and taking them from zero to 60 is one of the most gratifying perks that comes with teaching.
On the flip side, teaching students who have some experience, but have also developed undesirable habits, can actually be more difficult. Your goal then becomes helping them create new habits, some of which are proximally close to the undesirable habits. Having them discriminate between correct and incorrect is just one aspect, further complicated by them being human, and wanting to do what’s comfortable. If they’re not constantly self-monitoring and making an active effort to change the habit, then most likely, the undesired habit will continue to be reinforced.
How am I going to fix Tom?
To make matters more difficult, Tom came back for multiple chop session weekends. He’s attentive, focused, polite – AND committed?! Each time, I offered feedback, he nodded, and you could see him working to change those habits he had ingrained over hours of practice. But these things don’t happen overnight. Creating the dexterity and precision necessary to play music beautifully comes from many hours of correct repetitions. He was still, to put it lightly, awful. I distinctly remember thinking in an endearing way, “Wow, this poor guy is THE worst snare drummer I’ve ever seen.”
Finally, audition weekend came and Tom dutifully showed up. It wasn’t really close, and although he had done all the right things, he just needed more time to adjust his technique, figure out some coordination issues, and get stronger as a player. We finished ranking all the auditionees over the weekend, and there was just one last thing to do before officially welcoming the new members.
I remember the dread of having to call in the students who didn’t make the callback, and having to break the news to them that they’d been cut. The sea of disappointment plastered on a classroom full of student faces is what some might describe as “the worst.” I explained how many talented players had shown up for the audition, and because there were a limited number of spots, we unfortunately would not be able to accept everyone. I then made the teaching turn where I spin the positive: thank them for their effort, invite them to stay connected to the group and return to audition next year. While I was encouraging the students to keep working and stay motivated, Tom was standing at the back of the room with a smile on his face and nodding the entire time. He’s optimistic too?!
Because I could tell most of the younger students still felt a little poo-poo, I made a last-ditch offer that they could send me a video of themselves playing, and that I’d watch them and offer some feedback in preparation for next year (this was pre-fatherhood when I had the luxury of this thing called Time). I made one last hurrah, and encouraged by the student smiles, decided it would be a good closing point and called the meeting to an end.
As the students and parents fanned out, Tom approached me and thanked me for a great weekend. You could tell he felt the sting of being cut, but was still positive about the whole experience, and he even told me he would send a video. I said, “Great, let’s do it, I’m happy to help however I can.” He smiled, we shook hands and parted ways.
A few weeks later, I received an email from Tom. Included was a YouTube link to the video he promised he’d send. While writing this blog post, I was actually able to find the original email (name and address edited):
I was mildly surprised and sent him a short list of some broad concepts – sound quality, stroke, timing. But what really surprised me was the following week, when I received another email and video. I sent back another list of feedback. As more videos came, I saw the improvement in Tom’s playing. The hours he spent shedding in the basement to form new habits and get stronger were paying off. The playing got better, and the comments became more specific. All in all, Tom sent me videos for an entire year, all the way until the next audition. Here’s a note I sent him one week before the following year’s audition:
Although I’d been helping Tom with video feedback, my good friend, Billy, was the snare tech who would ultimately set the snare line. The audition took place over the weekend from Friday-Sunday.
So, what happened, you ask?
When the dust cleared, I’m happy to say Tom won a snare spot for the season.
Have you ever seen someone do something and thought, “I want to do THAT.”
Say goodbye to the days where you wondered what you should be practicing, and welcome the confidence of knowing you are setting yourself up for success.
In the end, the worst snare drummer I’ve ever seen became one of the most tremendous students I’ve had the pleasure of teaching. He went on to march with the indoor group, become the center snare, march DCI, and also become center snare at a Top 12 drum corps. He’s now double majoring in music education and performance, and a success story I often share with my current students.
By no means was the video feedback the sole source of Tom’s success. He had many great teachers, friends, and parents helping him along the way. It was also because of his personal qualities that helped him find success. 5 takeaways from Tom you can keep in mind if you get cut:
- Perseverance. Simple. Tom didn’t give up, and neither should you. Even if you’re terrible, just don’t give up. Check out Angela Lee Duckworth’s TED talk on Grit.
- Work ethic. Change doesn’t happen overnight. Big accomplishments come from many small steps over time. If you want the payoff, you gotta put in the time.
- Attitude. Stay positive, stay motivated. Make videos. Keep a journal. Find a friend or teacher for external accountability. Figure out what motivates you and do that. Try choosing one strategy this week, and add it to your daily work flow.
- Focus. Identify what you want, and focus on it by committing it to writing. At any moment, you should be able to ask yourself, “Is what I’m doing right now moving me closer to my goal?” It’s easy to get distracted when you lose focus on your goal.
- Feedback. Get feedback from people you trust. Benefit from their experience. Get an outside perspective so you can target and validate how you’re spending your time.
Thanks for Reading!
Hopefully you found some new information or reinforced what you already knew. How have you handled getting cut? How do you encourage people who get cut? I invite you to leave a note in the comment section below and share your thoughts!
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Most importantly, if you get cut, don’t give up – keep going!
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Huei-Yuan Pan is a Los Angeles based musician via Chicago, originally from Houston. His drum corps experience includes performing with the Phantom Regiment Drum and Bugle Corps (Snare, 2001) and The Cavaliers Drum and Bugle Corps (Snare, 2002-2003; Front Ensemble, 2004). From 2008-2011, Huei served as Director and Arranger for Green Thunder Percussion, and in 2012-2013, Percussion Caption Head with Regiment. He is currently the Director of the Jumpstart Young Musicians Program at The Colburn School in downtown Los Angeles. For more on Huei, click here.
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